This story has a couple of parts. In the first part, Aline is visited by Alban, a man she met at a party. He notes that her eyes are "tragically discontented," that she makes concessions to her husband (e.g. there are Economic Magazines lying around), and that she is "mentally unaccompanied." He predicts that she is going to have a lonely life of domesticity and that she is already so unhappy. The cure, he says, is friends.
After he left she reflected on what he said. It was true that she spent most days talking to herself. She began to look at her husband differently. She noted that he wore heavy suits and talked little and did things systematically.
In the second part of the story, Aline and her husband go to a party at Mr. Bellows' home; her husband gets tired, and they go home early. Bellows comes to Aline's home when her husband is away and plays musical portraits that he feels resembles various people. For Aline's husband, the music is scholarly and precise. He plays a portrait of Aline and her husband together - a "fantastic strain. In the middle of it he stopped with a violent dissonance." Bellows tells Aline that he could tell she doesn't love her husband.
When her husband comes home, she expresses anger that someone insists she doesn't love him, that she bravely hides her unhappiness. Her husband responds, "You dear, faithful, honest, little wife." How ironic.
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